What Is... Digital Noise?
One of the major
difference between a consumer digital camera and a digital Single Lens Reflex
(dSLR) is that the consumer cameras produces images with more noise when using high
ISOs (sensitivity to light) and long exposure times. Professional cameras, while not immune, suffer less from these noise issues. Noise
is seen as color speckles where there should be none. For
example, instead of a blue sky, you notice faint pink, purple and other color
speckles amongst the otherwise blue sky.
Just what is noise and how can we eliminate or minimize it? This article tries
to explain all of this in as a non-technical way as possible. [This also means
that the explanations may not be 100% technically correct. If you spot any mistake,
please email me. Thanks.]
The Digital Image
When we hear 'digital' we often think of high quality images. Digital
sound does not degrade no matter how many times you play it. Digital images
can be saved forever and will still print just as it did years before.
But the image in a digital camera is created by a non-digital component:
the CCD or CMOS image sensor. Understanding how light striking the image sensor
is converted into digital form makes clear what noise is and why it is present.
From Analog To Digital
An image sensor is basically a matrix of light sensors. A light
sensor can be thought of as simply a device that converts light into an electric
charge.
Each square of the image sensor matrix is a 'photosite'. It usually has one light
sensor 'painted' on it. Generally speaking, it corresponds to one pixel in your
digital image.
When photons or light strikes the image sensor, electrons are produced. These
electrons give rise to analog signals which are then converted
into digital pixels by an Analog to Digital (A/D) Converter.
Causes of Noise
There are a number of sources of noise contamination.
Heat generated might free electrons from the image sensor itself, thus contaminating
the "true" photoelectrons. These "thermal electrons" give
rise to a form of noise called thermal noise or dark current. Heat can be from the ambient temperature around the camera, or from heavy shooting.
Another type of noise is more akin to the 'grain' obtained by using a high
ISO film. When we use a higher ISO, we are amplifying the signal we receive
from the light photons. Unfortunately, as we amplify the signal, we also amplify
the background electrical noise that is present in any electrical system.
In low light, there is not enough light for a proper exposure and the longer
we allow the image sensor to collect the weak signal, the more background electrical
noise it also collects. In this case the background electrical noise may be
higher than the signal.
Increasing the ISO in a digital camera is like turning up
the volume on a stereo. You are increasing something called “gain” to get more of something.
When your stereo increases the gain it amplifies the audio signal to get more volume. On a digital camera, increasing the gain increases the sensativity to the available
light.
Increasing the gain has a
byproduct of inducing noise into the system. In an audio system, increased gain
results in an increased “signal to noise ratio”. This means that the
primary audio signal increased in amplitude, but so did any background noise
such as hiss.
Noise at high ISOs is similar to these audio
counterparts. As the gain is increased
for a photosite, both the signal and the noise (present in any electrical system)
is amplified. The noise at the circuit level should be fairly constant regardless
of the ISO, but what has changed is the amplification. If the amplification is increased to compensate
for the weaker light level, the noise is inherently amplified. When
someone figures out how to amplify the primary signal and not the noise, it
will apply to digital cameras, stereos, TV, video recorders, cell phones, or any electronic device with a "volume" dial.
So why does a digital SLR have lower
noise than a pocket sized digicam? The photosites are
larger and further apart. This has a two-fold effect. Since each photosite
is further away from its neighbor the noise generated by the neighbor is further removed and is not as easily contanimated. Secondly, a larger photosite will generate
a larger signal with respect to the noise, since due to its size it inherently
has a larger light gathering capacity, and thus the signal to noise ratio is
greater.
That is why a digital camera with 6 million pixels crammed into a 1/1.8 in.
image sensor has more noise (especially at high ISOs) than a 6MP digital camera
using the much larger half-frame (APS-sized) image sensor.
In-Camera Reduction Of Noise
Camera manufacturers have therefore incorporated in their software noise reduction
algorithms that kick in when a slow shutter speed and/or high ISO is used to
try to reduce the noise. Depending on the quality of the algorithms, these work
only to a certain extent: they do not completely remove all noise and the smoothening
effect of noise reduction is frequently accomplished at the expense of fine
image detail.
Noise Reduction Software
There are a number of image editing software solutions that can be used to reduce noise
in a digital image after you have taken them. Your image editing software may
already have such an action, or you may download one free from the Internet.
The better noise reduction software applications (such as NeatImage, Noise Ninja [review]
and NoiseWare Pro) can
take a long time to process one image and so may not really be a viable solution
if you have lots of pictures with noise. They have their place though in a photographer's
toolbox and for that one photograph that you have to take with noise or else
miss an incredible shot, these software applications are your perfect noise
reduction tools. In fact, no photographer should be without one.

Hurrah for Bigger Image Sensors!
Why therefore do camera manufacturers not use the bigger image sensors in consumer
digital cameras? A bigger image sensor means the need for a bigger lens. Unlike
film that can capture light incident on it at an angle, an image sensor requires
that light falls on it straight on. Bigger lens add costs, need a bigger body,
etc. etc. You get the idea. You quickly end up with a camera body the size of
a... dSLR. Many consumers simply want small compact cameras.
The biggest
image sensor on a prosumer digital camera is 2/3 in. sized at 8.8 x 6.6 mm (though
most of them now use an improved 1/1.8 in. type). We wait for the day when an
APS-sized image sensor is used in a prosumer model!
The next size
down is 1/1.8 in. (sized at 7.2 x 5.3 mm) and is prevalent in most of the 5MP,
6MP and 7MP consumer digital cameras today.
Camera manufacturers have 'squeezed' more megapixels into the same
1/1.8 in. image sensor. That is one reason some people say that a digital camera
at a lower megapixels resolution gives images that are more noise-free than
one at a higher megapixels resolution -- on the same size image sensor. More
megapixels on the same sized image sensor means the pixels are closer together
-- thus more noise. Of course, better in-camera noise reduction algorithms in
the newer digital cameras can counter this tendency toward more noise to a certain
extent. Photographers must balance the advantage of higher megapixels versus
more noise (albeit reduced with the in-camera noise reduction algorithms), although
camera manufacturers leave us with few choices as they all move to the higher
megapixels image sensor to compete with one another.
The dSLRs
have image sensors that are much larger than 2/3 in. Some dSLRs have an APS-sized
(or, 'half-frame', approx. 23.7 x 15.6 mm) image sensor.
When
we talk about a 'full-frame' image sensor, it is in relation to a 35mm film
and is therefore sized at 36 x 24 mm. Compare these with the 2/3 in. image sensors
in prosumer digital cameras sized at 8.8 x 6.6 mm, and you'd agree that the
size difference is indeed substantial. No wonder dSLRs produce practically noise-free
images.
Are we ever going to see bigger image sensors in prosumer digital cameras?
Bigger sensors mean bigger lenses mean more expensive cameras. So that is why
most of the work being done now is focused more on improving the small image
sensors and writing better noise reduction algorithms. However, we believe it
is inevitable for the APS-sized image sensor to eventually move down to consumer
digital cameras, starting with the prosumer models.
What Can You Do?
There are a number of things to remember about noise:
- A higher ISO introduces noise.
- Noise Reduction Software will clean up the noise in some images, and sometimes
it's done well enough that you can't really tell the original image had unacceptable
noise level in it.
- A slow or long exposure introduces noise.
- If you must have the option of using high ISOs (e.g. to capture fast
action in low-light situations), then get a dSLR. Since many amateur photographers
purchase 35mm SLR cameras today (especially since they are relatively cheap),
I don't see why they should not be able to use a dSLR as easily. The only
roadblock to owning a dSLR for many today is its high price, though even that
is steadily coming down as competition heats up among camera manufacturers.
We can now obtain a dSLR for under $1000, including the lens.
Noise is a fact of life in consumer and prosumer digital cameras, and is going
to stay with us for some time longer until camera manufacturers engineer better
and small noise-free image sensors. Until then, what can you do to reduce the
amount of noise in your digital images?
- Avoid slow or long exposures.
- Use lower ISO settings. (For more information on why see text following.)
- When comparing digital cameras, all things being equal, favor the one with
the larger image sensor.
For
example, Camera A may be 3MP using a 1/2.7 in. image sensor (sized at 5.3
x 4.0 mm), while Camera B may also be 3MP but uses a larger 1/1.8 in. image
sensor. Camera B will probably produce images that have less noise than Camera
A.
- Purchase a noise reduction software. This will allow you to take pictures
and not miss some great shots. You'll find that a good noise reduction software
usually does a pretty good job of 'cleaning' up the noise to an acceptable
level in most of your noisy images.
This illustration shows the approximate sizes of
the most popular image sensors:

| Sensor |
Approx. Size |
| full frame |
36 x 24 mm |
| half frame (APS) |
24 x 15 mm |
| 2/3 in. |
8.8 x 6.6 mm |
| 1/1.8 in. |
7.2 x 5.3 mm |
| 1/2.7 in. |
5.3 x 4.0 mm |
|